cjwho:

The House of the Infinite, Cádiz, Spain by Alberto Campo Baeza | via
On a marvelous place like a piece of earthly paradise, at Cádiz, we have built an infinite plane facing the infinite sea, the most radical house we have ever made. At the very edge of the waters of the Atlantic Ocean, where the sea unites the new and the old continent, emerges a stone platform. At the place where all the ships from the Mediterranean used to pass and still pass by as they head off into the Atlantic.
There we have erected a house as if it were a jetty facing out to sea. A house that is a podium crowned by an upper horizontal plane. On this resoundingly horizontal plane, bare and denuded, we face out to the distant horizon traced by the sea where the sun goes down. A horizontal plane on high built in stone, Roman travertine, as if it were sand, an infinite plane facing the infinite sea. Nothing more and nothing less.
To materialize this elevated horizontal plane, which is the main living room of the house, we built a large box with 20 meters of frontage and 36 meters deep. And under those first 12 meters we excavated two floors in the solid rock to develop the whole living space.
Photography: Javier Callejas Sevilla
CJWHO:  facebook  |  instagram | twitter  |  pinterest  |  subscribe
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cjwho:

The House of the Infinite, Cádiz, Spain by Alberto Campo Baeza | via
On a marvelous place like a piece of earthly paradise, at Cádiz, we have built an infinite plane facing the infinite sea, the most radical house we have ever made. At the very edge of the waters of the Atlantic Ocean, where the sea unites the new and the old continent, emerges a stone platform. At the place where all the ships from the Mediterranean used to pass and still pass by as they head off into the Atlantic.
There we have erected a house as if it were a jetty facing out to sea. A house that is a podium crowned by an upper horizontal plane. On this resoundingly horizontal plane, bare and denuded, we face out to the distant horizon traced by the sea where the sun goes down. A horizontal plane on high built in stone, Roman travertine, as if it were sand, an infinite plane facing the infinite sea. Nothing more and nothing less.
To materialize this elevated horizontal plane, which is the main living room of the house, we built a large box with 20 meters of frontage and 36 meters deep. And under those first 12 meters we excavated two floors in the solid rock to develop the whole living space.
Photography: Javier Callejas Sevilla
CJWHO:  facebook  |  instagram | twitter  |  pinterest  |  subscribe
Zoom Info
cjwho:

The House of the Infinite, Cádiz, Spain by Alberto Campo Baeza | via
On a marvelous place like a piece of earthly paradise, at Cádiz, we have built an infinite plane facing the infinite sea, the most radical house we have ever made. At the very edge of the waters of the Atlantic Ocean, where the sea unites the new and the old continent, emerges a stone platform. At the place where all the ships from the Mediterranean used to pass and still pass by as they head off into the Atlantic.
There we have erected a house as if it were a jetty facing out to sea. A house that is a podium crowned by an upper horizontal plane. On this resoundingly horizontal plane, bare and denuded, we face out to the distant horizon traced by the sea where the sun goes down. A horizontal plane on high built in stone, Roman travertine, as if it were sand, an infinite plane facing the infinite sea. Nothing more and nothing less.
To materialize this elevated horizontal plane, which is the main living room of the house, we built a large box with 20 meters of frontage and 36 meters deep. And under those first 12 meters we excavated two floors in the solid rock to develop the whole living space.
Photography: Javier Callejas Sevilla
CJWHO:  facebook  |  instagram | twitter  |  pinterest  |  subscribe
Zoom Info
cjwho:

The House of the Infinite, Cádiz, Spain by Alberto Campo Baeza | via
On a marvelous place like a piece of earthly paradise, at Cádiz, we have built an infinite plane facing the infinite sea, the most radical house we have ever made. At the very edge of the waters of the Atlantic Ocean, where the sea unites the new and the old continent, emerges a stone platform. At the place where all the ships from the Mediterranean used to pass and still pass by as they head off into the Atlantic.
There we have erected a house as if it were a jetty facing out to sea. A house that is a podium crowned by an upper horizontal plane. On this resoundingly horizontal plane, bare and denuded, we face out to the distant horizon traced by the sea where the sun goes down. A horizontal plane on high built in stone, Roman travertine, as if it were sand, an infinite plane facing the infinite sea. Nothing more and nothing less.
To materialize this elevated horizontal plane, which is the main living room of the house, we built a large box with 20 meters of frontage and 36 meters deep. And under those first 12 meters we excavated two floors in the solid rock to develop the whole living space.
Photography: Javier Callejas Sevilla
CJWHO:  facebook  |  instagram | twitter  |  pinterest  |  subscribe
Zoom Info
cjwho:

The House of the Infinite, Cádiz, Spain by Alberto Campo Baeza | via
On a marvelous place like a piece of earthly paradise, at Cádiz, we have built an infinite plane facing the infinite sea, the most radical house we have ever made. At the very edge of the waters of the Atlantic Ocean, where the sea unites the new and the old continent, emerges a stone platform. At the place where all the ships from the Mediterranean used to pass and still pass by as they head off into the Atlantic.
There we have erected a house as if it were a jetty facing out to sea. A house that is a podium crowned by an upper horizontal plane. On this resoundingly horizontal plane, bare and denuded, we face out to the distant horizon traced by the sea where the sun goes down. A horizontal plane on high built in stone, Roman travertine, as if it were sand, an infinite plane facing the infinite sea. Nothing more and nothing less.
To materialize this elevated horizontal plane, which is the main living room of the house, we built a large box with 20 meters of frontage and 36 meters deep. And under those first 12 meters we excavated two floors in the solid rock to develop the whole living space.
Photography: Javier Callejas Sevilla
CJWHO:  facebook  |  instagram | twitter  |  pinterest  |  subscribe
Zoom Info
cjwho:

The House of the Infinite, Cádiz, Spain by Alberto Campo Baeza | via
On a marvelous place like a piece of earthly paradise, at Cádiz, we have built an infinite plane facing the infinite sea, the most radical house we have ever made. At the very edge of the waters of the Atlantic Ocean, where the sea unites the new and the old continent, emerges a stone platform. At the place where all the ships from the Mediterranean used to pass and still pass by as they head off into the Atlantic.
There we have erected a house as if it were a jetty facing out to sea. A house that is a podium crowned by an upper horizontal plane. On this resoundingly horizontal plane, bare and denuded, we face out to the distant horizon traced by the sea where the sun goes down. A horizontal plane on high built in stone, Roman travertine, as if it were sand, an infinite plane facing the infinite sea. Nothing more and nothing less.
To materialize this elevated horizontal plane, which is the main living room of the house, we built a large box with 20 meters of frontage and 36 meters deep. And under those first 12 meters we excavated two floors in the solid rock to develop the whole living space.
Photography: Javier Callejas Sevilla
CJWHO:  facebook  |  instagram | twitter  |  pinterest  |  subscribe
Zoom Info
cjwho:

The House of the Infinite, Cádiz, Spain by Alberto Campo Baeza | via
On a marvelous place like a piece of earthly paradise, at Cádiz, we have built an infinite plane facing the infinite sea, the most radical house we have ever made. At the very edge of the waters of the Atlantic Ocean, where the sea unites the new and the old continent, emerges a stone platform. At the place where all the ships from the Mediterranean used to pass and still pass by as they head off into the Atlantic.
There we have erected a house as if it were a jetty facing out to sea. A house that is a podium crowned by an upper horizontal plane. On this resoundingly horizontal plane, bare and denuded, we face out to the distant horizon traced by the sea where the sun goes down. A horizontal plane on high built in stone, Roman travertine, as if it were sand, an infinite plane facing the infinite sea. Nothing more and nothing less.
To materialize this elevated horizontal plane, which is the main living room of the house, we built a large box with 20 meters of frontage and 36 meters deep. And under those first 12 meters we excavated two floors in the solid rock to develop the whole living space.
Photography: Javier Callejas Sevilla
CJWHO:  facebook  |  instagram | twitter  |  pinterest  |  subscribe
Zoom Info
cjwho:

The House of the Infinite, Cádiz, Spain by Alberto Campo Baeza | via
On a marvelous place like a piece of earthly paradise, at Cádiz, we have built an infinite plane facing the infinite sea, the most radical house we have ever made. At the very edge of the waters of the Atlantic Ocean, where the sea unites the new and the old continent, emerges a stone platform. At the place where all the ships from the Mediterranean used to pass and still pass by as they head off into the Atlantic.
There we have erected a house as if it were a jetty facing out to sea. A house that is a podium crowned by an upper horizontal plane. On this resoundingly horizontal plane, bare and denuded, we face out to the distant horizon traced by the sea where the sun goes down. A horizontal plane on high built in stone, Roman travertine, as if it were sand, an infinite plane facing the infinite sea. Nothing more and nothing less.
To materialize this elevated horizontal plane, which is the main living room of the house, we built a large box with 20 meters of frontage and 36 meters deep. And under those first 12 meters we excavated two floors in the solid rock to develop the whole living space.
Photography: Javier Callejas Sevilla
CJWHO:  facebook  |  instagram | twitter  |  pinterest  |  subscribe
Zoom Info

cjwho:

The House of the Infinite, Cádiz, Spain by Alberto Campo Baeza | via

On a marvelous place like a piece of earthly paradise, at Cádiz, we have built an infinite plane facing the infinite sea, the most radical house we have ever made. At the very edge of the waters of the Atlantic Ocean, where the sea unites the new and the old continent, emerges a stone platform. At the place where all the ships from the Mediterranean used to pass and still pass by as they head off into the Atlantic.

There we have erected a house as if it were a jetty facing out to sea. A house that is a podium crowned by an upper horizontal plane. On this resoundingly horizontal plane, bare and denuded, we face out to the distant horizon traced by the sea where the sun goes down. A horizontal plane on high built in stone, Roman travertine, as if it were sand, an infinite plane facing the infinite sea. Nothing more and nothing less.

To materialize this elevated horizontal plane, which is the main living room of the house, we built a large box with 20 meters of frontage and 36 meters deep. And under those first 12 meters we excavated two floors in the solid rock to develop the whole living space.

Photography: Javier Callejas Sevilla

CJWHO:  facebook  |  instagram | twitter  |  pinterest  |  subscribe

archatlas:

Passerelle Geninasca Delefortrie Architectes
"When a place speaks, the most constructive reaction is to listen to it rather than to converse with it. The crossing of the Areuse at a precise point of the gauge was the demand. The answer is this footbridge, an organic structure, ensuring a better echo with the site and the river. The objective power of this artefact holds in its ability the power to blend in perfectly with the site and get clearly noticed. There is no submission to the place but just respect.”
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archatlas:

Passerelle Geninasca Delefortrie Architectes
"When a place speaks, the most constructive reaction is to listen to it rather than to converse with it. The crossing of the Areuse at a precise point of the gauge was the demand. The answer is this footbridge, an organic structure, ensuring a better echo with the site and the river. The objective power of this artefact holds in its ability the power to blend in perfectly with the site and get clearly noticed. There is no submission to the place but just respect.”
Zoom Info
archatlas:

Passerelle Geninasca Delefortrie Architectes
"When a place speaks, the most constructive reaction is to listen to it rather than to converse with it. The crossing of the Areuse at a precise point of the gauge was the demand. The answer is this footbridge, an organic structure, ensuring a better echo with the site and the river. The objective power of this artefact holds in its ability the power to blend in perfectly with the site and get clearly noticed. There is no submission to the place but just respect.”
Zoom Info
archatlas:

Passerelle Geninasca Delefortrie Architectes
"When a place speaks, the most constructive reaction is to listen to it rather than to converse with it. The crossing of the Areuse at a precise point of the gauge was the demand. The answer is this footbridge, an organic structure, ensuring a better echo with the site and the river. The objective power of this artefact holds in its ability the power to blend in perfectly with the site and get clearly noticed. There is no submission to the place but just respect.”
Zoom Info
archatlas:

Passerelle Geninasca Delefortrie Architectes
"When a place speaks, the most constructive reaction is to listen to it rather than to converse with it. The crossing of the Areuse at a precise point of the gauge was the demand. The answer is this footbridge, an organic structure, ensuring a better echo with the site and the river. The objective power of this artefact holds in its ability the power to blend in perfectly with the site and get clearly noticed. There is no submission to the place but just respect.”
Zoom Info
archatlas:

Passerelle Geninasca Delefortrie Architectes
"When a place speaks, the most constructive reaction is to listen to it rather than to converse with it. The crossing of the Areuse at a precise point of the gauge was the demand. The answer is this footbridge, an organic structure, ensuring a better echo with the site and the river. The objective power of this artefact holds in its ability the power to blend in perfectly with the site and get clearly noticed. There is no submission to the place but just respect.”
Zoom Info
archatlas:

Passerelle Geninasca Delefortrie Architectes
"When a place speaks, the most constructive reaction is to listen to it rather than to converse with it. The crossing of the Areuse at a precise point of the gauge was the demand. The answer is this footbridge, an organic structure, ensuring a better echo with the site and the river. The objective power of this artefact holds in its ability the power to blend in perfectly with the site and get clearly noticed. There is no submission to the place but just respect.”
Zoom Info
archatlas:

Passerelle Geninasca Delefortrie Architectes
"When a place speaks, the most constructive reaction is to listen to it rather than to converse with it. The crossing of the Areuse at a precise point of the gauge was the demand. The answer is this footbridge, an organic structure, ensuring a better echo with the site and the river. The objective power of this artefact holds in its ability the power to blend in perfectly with the site and get clearly noticed. There is no submission to the place but just respect.”
Zoom Info

archatlas:

Passerelle Geninasca Delefortrie Architectes

"When a place speaks, the most constructive reaction is to listen to it rather than to converse with it. The crossing of the Areuse at a precise point of the gauge was the demand. The answer is this footbridge, an organic structure, ensuring a better echo with the site and the river. The objective power of this artefact holds in its ability the power to blend in perfectly with the site and get clearly noticed. There is no submission to the place but just respect.”